This will change the position of your shadow.Ī lot of drop shadows default to the lower right so the light is coming from up the upper left and shining diagonally down towards the lower right.Īgain, once you are happy with things, adjust the offset (which controls how far away from your text the shadow is) and then bring the intensity back down until it looks natural. You can also use the angle control to adjust which direction the “light” is coming from. The opacity setting will make the effect a little bit more subtle. The radius control will blur it a little bit. When things are looking good, dial back the intensity and offset so it looks more natural. Now you should plainly see your drop shadow.įrom here, you can adjust the settings. The easiest way to make adjustments is to turn up the intensity a fair bit, and then turn up the offset. In the Layer Effects window, click on the box that says Outer Shadow. Click Layer and then scroll down to the bottom where it says Layer Effects. You can also find the Effects window from the Layer menu across the top of your software window. In your Layers panel, at the very bottom look for the letters “ fx.” When you hover your mouse over it, it should say Layer Effects.Ĭlick on fx and your Effects window will pop up. The easiest way to create a drop shadow is to select your object, in my case the text “Hello.”Ĭlick on it or select it in the layers so that you see the bounding box come up. Import it into Affinity Publisher and relink your assets and you should be off to the races.In this Affinity Publisher tutorial i’m going to show you how you can create a drop shadow for your text in two different ways.Ĭreate two words on your canvas that are identical. idml (InDesign Markup Language) file of your layout. If you have ever Packaged your layout in InDesign then you already have an. Lastly, if you have publications from InDesign and you want to see how they would translate over in Affinity Publisher you can. Key command list for Publisher What if you have InDesign files and want them in Affinity? Key-commands are a plenty in the app to speed up your workflow, and the whole list of them are published by Serif here Rather, it is about knowing how good your skills are in desktop publishing to just create. It isn’t about judging how GOOD this app is against your muscle memory of InDesign. Think about WHAT you are trying to do and learn where THAT function is in this app. “What! I can’t just use command – D like I’ve always done for Placing graphics?” “Ug! this isn’t as good as InDesign because it doesn’t do XX.” The key with any tool is to break your imitate knee-jerk reaction of No need to go out of the app, open up Photoshop (wait for it to load) then change image color space to black and white, re-save, update link and then continue working where you left off. Well, by selecting it, going up to StudioLink and selecting Photo, within your spread you get Affinity Photo’s tools right there for that photo. So for instance, you have a photo in your layout that you need to set to greyscale. This allows designers from within Affinity Publisher to switch ‘ personas‘ within the app and use tools from the other apps based off the assets. With the 1.8 update of the Affinity apps owners of all three of their apps Photo (Photoshop), Designer (Illustrator), and Publisher (InDesign) now have StudioLink. Now bare in mind what makes InDesign a great tool is the ecosystem, the ability to weave in Indesgin and Photoshop content seamlessly. The problem is, the only two options to acquire InDesign is purchasing the app each month (around $20 a month) or buy the whole-hog CC each month (around $60). InDesign has been a hard replacement largely because of its history, from Pagemaker to later named InDesign it did what it did really well: Desktop publishing and layout, allowing for an ecosystem of weaving in copy, vector, and raster assets. Tool replacements for vector illustrating (Illustrator) and photo compositing (Photoshop) are pretty plentiful with alternatives but an InDesign has been one of the hardest to find a solid alternative. Their name Serif’s Affinity collection Linking up your workflow Studio Link for Affinity In the last few months, a heavy weight contender has finally entered the ring providing a solid match up for the design trinity many students use in their academic career Photoshop, Illustrator, & InDesign. All obvious deal breakers for any design-centric or production heavy student. Opensource tools have always provided students with options to use tools similar to the Adobe CC, but usually falling short in the user interface, robustness in the tool, or stability on their computer. Affinity Publisher getting started workshopĪs many students have expressed to me over the years, having to pay for Adobe each month while also paying for college courses to do content is a pain.
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